Syncrometer

What is a Syncrometer?

It is an audio oscillator circuit that detects resonance in much the same way a radio does. In your radio a distant frequency produced in a studio is matched to a frequency you produce in your set. The new device used for these experiments matches a frequency produced in your body with one you place on a capacitor plate. 

It can scan for anything in the body – be it an object, an organ, a chemical or virus because everything has a characteristic frequency or set of frequencies.

The Syncrometer is more accurate and versatile than the best existing testing methods. However at this point it only yields positive or negative results, it does not quantify. The chance of a false positive or a false negative is about 5%, which can be lessened by test repetition.

How to use a Syncrometer?

Fill a saucer with cold filtered tap water. Fold a paper towel four times and place it in this dish. It should be entirely wet.

Cut paper strips about 1 inch wide from a piece of white, unfragranced, paper towel. Dampen a paper strip on the towel and wind it around the copper pipe handhold to completely cover it. The wetness improves conductivity and the paper towel keeps the metal off your skin.

•   Start with the test plate switch at OFF.

•   Turn the control knob (potentiometer) on, and to near maximum.

•   Touch each plate with the probe, while holding the copper pipe with one hand. Only the left plate  should give you a sound from the speaker. Turn the test plate switch ON. Now both plates should give you a sound when the probe touches them.

•   Turn the test plate switch OFF again.

•   Pick up the handhold, squeeze it free of excess water.

•   Pick up the probe in the same hand, holding it like a pen, between thumb and forefinger.

Dampen your other hand by making a fist and dunking your knuckles into the wet paper towel in the saucer. You will be using the area on top of the first knuckle of the middle finger or forefinger to learn the technique. Become proficient with both. Immediately after dunking your knuckles dry them on a paper towel folded in quarters and placed beside the saucer. The de­gree of dampness of your skin affects the resistance in the cir­cuit and is a very important variable that you must learn to keep constant. Make your probe as soon as your knuckles have been dried (within two seconds) since they begin to air dry further immediately.

With the handhold and probe both in one hand press the probe against the knuckle of the other hand, keeping the knuckles bent. Press lightly at first, then harder, taking one half second. Repeat a half second later, with the second half of the probe at the same location. There is an additive effect and you get two chances to listen to the current. All of this takes less than two seconds. Don't linger because your body will change and your next probe will be affected.

Subsequent probes are made in exactly the same way. As you develop skill, your probes  will become identical. Plan to practice for one or two hours each day. It takes most people at least  12 hours in order to be so consistent with their probes that they can hear the slight difference when the circuit is resonant.

For reference you may wish to use a piano. The starting sound when you touch down on the skin should be F, an octave and a half above middle C. The sound rises to a C as you press to the knuckle bone, then slips back to B, then back up to C-sharp as you complete the second half of your first probe. If you have a multitester you can connect it in series with the handhold or probe: the current should rise to about 50 microamps. If you have a frequency counter the frequency should reach 1000 Hz. You should arrive at C-sharp just before the probe becomes painful.

Two things change the sound of the probes even when your technique doesn't change.

1.  The patch of skin chosen for probing will change its prop­erties. The more it is used, the redder it gets and the higher the sound goes when you probe. Move to a nearby loca­tion, such as the edge of the patch, when the sound is too high to begin with, rather than adjusting the potentiome­ter.

2.  Your body has cycles which make the sound go noticeably higher and lower. If you are getting strangely higher sounds for identical probes, stop and only probe every five minutes until you think the sound has gone down to stan­dard. This could take five to twenty minutes. Learn this higher sound so you can avoid testing during this period.

You may also find times when it is impossible to reach the necessary sound without pressing so hard it causes pain. You may adjust the potentiometer if that helps.

All tests are momentary.

This means less than one second. It is tempting to hold the probe to your skin and just listen to the sound go up and down, but if you prolong the test you must let your body rest ten min­utes, each time, before resuming probe practice!

For our purposes, it is not necessary to locate acupuncture points.

Resonance

The information you are seeking is whether or not there is resonance, or feedback oscillation, in the circuit. If there is the test is YES (positive). You hear resonance by comparing the second probe to the first. You can never hear resonance on the first probe, for reasons that are technical and beyond the scope of this book. You are not merely comparing pitch in the two probes. During resonance a higher pitch is reached faster; it seems to want to go infinitely high.

Remember that more electricity flows, and the pitch gets higher, as your skin reddens or your body changes cycle. These effects are not resonance.

Resonance is a small extra hum at the high end of the probe. As soon as you hear it, stop probing. Your body needs a short recovery time (l0 to 20 seconds) after every resonant probe. The longer the resonant probe, the longer the recovery time to reach the standard level again.

Using musical notes, here is a NO (negative result): F-C-B-C# (first probe) F-C-B-C# (compare, it is the same sound). Here is a YES (positive) result: F-C-B-C# (first probe) F-D (stop quickly because you heard resonance). In between the first and second probe a test substance will be switched in as described in lessons below.

It is not possible to produce a resonant sound by pressing harder on the skin, although you can make the pitch go higher. To avoid confusion it is important to practice making probes of the same pressure. (Practice getting the F-C-B-C# tune.)
 

(From “The Prevention of all Cancers and the Cure for all Diseases”, before contents and pages 462 to 466; Copyright notice)